Which Episode Is Better Baby or Dont Call Me Shurley

x Great Moments from Supernatural Season 11, Episode 20 – "Don't Call Me Shurley"

As many risks as Supernatural has taken over the years I never really idea they'd become where this episode went. When you consider how securely sacred and often polarizing God is it's pretty damned brave to take on the concept, never heed depict Him as flawed and more than than a fiddling scrap selfish. This episode walked a fine line, and information technology walked it well, telling us what happened when God was one of us.

Pastrami On High

Metatron. Dumpster diving. Disgraced. A shadow of his former cocky. In that location he is, sharing his merely nutrient with a pitiful, little mutt and smiling every bit he does. Does that sound similar a villain to y'all?  I wonder if this human activity of sacrifice was what got Chuck's attending in the start place. I have raved near Curtis Armstrong many times but this? His performance throughout this episode? Well, I may have really enjoyed the hamburger simply this time Armstrong brought the steak. It'due south a CW genre show, so information technology'southward unlikely that he'll exist noticed just I remember we can all concord he deserves an Emmy for this invitee star turn.

God Vibrations

The "Globe's Greatest Dad" mug. Did anyone laugh but me? Eric Kripke, long ago, asked the incomparable Rob Benedict how it felt to play God. I retrieve Rob can answer that question definitively at present. After dissing the Supernatural books (including "Home and "All Hell Breaks Loose" which is a sin, maybe fifty-fifty literally) Metatron discovers that Chuck Shurley—the "hack" writer, Mistress Magda lover, toilet paper coveter—is, in fact, God. My casual viewer husband asked, quite rightly, "Where the hell do y'all go afterward that, when you take that reveal iv minutes in?" Fortunately, there was a lot more than to say, and every moment of it between Chuck and Metatron was beautifully done.

Iron Human being

Next? A bit of adorable. Dean ironing Sam's shirt, using steam made from his beloved beer. Let'south face up information technology: between the cooking, the cleaning and, at present, the laundry, Dean is the domestic engineer of the Bunker, a fact that never ceases to endear him to me. And it's a good matter he can press a shirt, considering the boys are heading to Hope Springs, Idaho to play Feds and investigate a potentially all of a sudden soulless killer. It's a slim atomic number 82, just one they will take to detect Amara, and, hopefully, Cas. They have no thought of the flashback that awaits them.

Charming

Metatron asks why God put on the Chuck suit to begin with and he finer ends the season v debate of is-He-or-isn't-He by proverb he wanted to hide in plain sight. Metatron wonders how no ane knew who Chuck was. What about the Samulet? Then? AND THEN? Chuck pulls it out of his pocket and says, simply, he turned it off, followed by the biggest tease of the episode when Chuck says "You'll never guess where this matter has been this unabridged time…" only to be interrupted past Metatron, who doesn't care. (I may have shouted at my television, "I care, you bastard!" Hint: I did.) Why has Metatron been summoned? It turns out God has written his autobiography and he needs his scribe to help him finish it. I must say, the parlay between Benedict and Armstrong was incredible. They had such chemistry, and they each held their own with a singled-out performance while working every bit a team to get the story told. Information technology was, pardon the pun, divine, and I concur this episode up with some of my favorites, thanks to them and all they brought to the tabular array.

In a Fog

I cannot believe I am saying this simply the case that Sam and Dean were working, every bit important every bit it would come to be by the end of the episode and as satisfying as that end would exist (more than on that later) almost felt like an interruption to the story I wanted to hear. My hubby asked, "What does information technology mean to an episode when Sam and Dean are the least interesting things in information technology?" I wouldn't go that far, only I practice agree that the primary pair that I wanted to lookout weren't the brothers, this become around. Sam and Dean'due south story of Amara'south fog returning to merits more than zombie like victims and kill them all was necessary to the completion of the arc of the episode, and I'll never complain virtually seeing Jared Padalecki or Jensen Ackles and their portrayal of brotherly dear. Simply this story? Wasn't most them. All the same.

Nothing But the Truth

Metatron doesn't dig the fluff-laden bio. He tells Chuck to write the truth. With details. About Amara. We see the changes in Benedict's face as he goes from cute puppy Chuck to a powerful and bad tempered God every bit he tells Metatron that this isn't Amara's story—it's his. Metatron tries to requite him a better story with a villain and proposes Lucifer, merely Chuck insists that Friction match was not only non his favorite, but that he wasn't a villain (something I think many of the states felt when we met him initially only human being, how times take changed.) Metatron finally convinces Chuck to tell the truth in detail— to tell God's story, not Chuck's. Fifty-fifty if it's a story that volition be also angry, with a side of biting, to hear.

It'southward Only Natural

Metatron asks Chuck why he created life. "Because I was alone," is the simple, deplorable reply. He also wanted to prove Amara that at that place was something better than the both of them, but it wasn't enough to modify her. She needed to exist locked away so that he could create the nigh beautiful matter of all—nature. Metatron knows Amara volition destroy everything that Chuck created, and Chuck, for some reason, is incredibly sanguine about that. "Nature," he says, "Divine. Man nature? Toxic." Chuck is sick of united states destroying everything he gives u.s.a., peculiarly in his name. He thinks possibly it'due south Amara'south time to shine. Metatron, of all people, defends the Winchesters letting Amara out, and wants Chuck to assist them. Chuck is sick of rebuilding Castiel and bailing them out (the only part of the episode that fabricated me wince—I don't want Sam and Dean's accomplishments dismissed away as divine intervention.) Chuck, it seems, has given up. Fortunately for all of us, Metatron hasn't.

The Bulletin is Clear

Amara is sending messages via the infected. She is "showing them all the truth" in the Darkness. The light is only a lie, and information technology volition all exist over soon for anybody, except of course, for her weakness, Dean. The boys run from the fog, saving anyone they can (including an adorable baby that Sam calls "sweetheart", making me melt) and hide in the police force station. The fog gets in as it was bound to practice, and it claims Sam as it did before. Dean, of form, won't exit him. Non for a second. Sam knows they were never going to win—that Dean was going to choose Amara over him, though of form Dean protests. Sam begs Dean to get before he hurts him. "No," Dean shouts. "I'yard non leaving you. Always!" Dean needs help so he does what he tin can in his 60 minutes of need, the just mode he knows how to do it. He prays, "Cease this! You hear me yous dick?!" The way Dean cradles Sam close, determined to save him. Kills me, every time. "Expect at me. I'm correct here," he repeats over and over equally Sam fades and the noises terminate. Information technology seems, for the moment, Amara has won.

Expressionless Line

Who would have thought that Metatron would be the hero? The one to inspire God to salvage the world? He admits his own shortcomings fifty-fifty as he calls God out on his cowardice. Chuck says that he's not hiding—he'south simply sick of watching his experiments with humanity fail. As he watches Chuck write, Metatron admits that his turn at being God was a sad, pathetic cry for his absent begetter'southward sattention. "Yous are light, beauty, creation, wrath, damnation and salvation, and I don't intendance if I was just the affections nearest the door," Metatron says, voice breaking, "You picked me. Your calorie-free shined on me. Me. Oh, and the warmth. But so y'all left me. You left all of united states of america." (Armstrong absolutely made me cry every bit he delivered these lines.) He begs Chuck to tell him why he abased him. Us. "Because you disappointed me. You all disappointed me," Chuck replies, and information technology is devastating. Metatron says that they may be a mess, but humanity is better than Chuck's God could e'er be, because of all the loving, positive things they do, but too because they never give upwards, every bit Chuck conspicuously has done. I cannot say enough how incredible Armstrong's performance was during this whole exchange. I echo: Emmy. Now.

Music Man

Oh, and this endmost scene. Rob Benedict is an accomplished musician and it really shows as he sings the American folk song "Fare Thee Well (Dink's Song)" beautifully over an otherwise silent montage. Metatron listens, melancholy, wondering what is happening. Sam, dying, suddenly begins to glow and heal. Dean sees that the light is emanating from Sam'southward pocket and fumbles for its source. It is the Samulet, of grade. God has returned. Everyone in the town is whole again. Metatron reads the latest pages every bit the boys stagger around looking for the source of the light. And Metatron'due south face changes to 1 of awe—hope, maybe?—earlier the boys meet Chuck helping a daughter in the street. They stand there, stunned, as Chuck turns and says, "We should probably talk."

Three episodes left, people, and God is in the house. Will Cas exist saved? Can Amara be stopped? Will Match play a function? And so many questions! See you next time, hopefully for some answers, for episode 20-ane, "All in the Family unit."

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